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.​.​.​And the Lord Hath Taken Away

by The Holy Gasp

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1.
THE NARRATOR: There lived once a man in the land of Uz whose name was Job, and he was blameless and upright. He feared God and shunned evil. And seven sons were born to him, and three daughters. And his flocks came to seven thousand sheep, three thousand camels, five hundred yokes of cattle, five hundred she-asses, and a great abundance of slaves. And that man was greater than all the dwellers of the east. One day, the sons of God came to stand in attendance before the Lord, and the Satan, too, came among them. And the Lord said to the Satan: GOD: Have you paid heed to my servant Job? Surely there is no one quite as righteous anywhere as he. How he fears the Lord and sings my praises daily merrily! Spotless as a lamb, no blemish has besmirched his goodly face. Certainly there lives no man a finer product of my grace. THE SATAN: Oh please, how can a man complain to Thee who’s not begot disgrace? Can life be strife with pleasantry? Take all a righteous man has and a wrathful one shall curse Thee to Thy face. GOD: So we shall see! THE CHILDREN OF GOD: And marauders came to slay and plunder all that Job had owned. And a mighty wind collapsed the corners of his children’s home. And throughout it all not once did Job offend against the Lord. But shall we see a righteous man withstand the curse of flesh and bone? THE SATAN: May I? GOD: You may. THE SATAN: How soon? GOD: Today. THE SATAN: Why, thank you, God! His skin? GOD: Burn thin. THE SATAN: His Face? GOD: Erase. THE SATAN: How grand! His mind? GOD: I don’t mind. THE SATAN: And pain? GOD: Fair game. THE SATAN: You’re far too kind! GOD: You may do anything that you wish to do to Job providing that you do not let him die.
2.
If I was going to fly a kite, I’d fly a kite right by a tree, And get my kite stuck in that tree, Make no attempt to set it free, And wait there ‘til I die. I would not tug or yank or twist The string tied tightly to my wrist; I would sit down and wait and see My own unfolding destiny And wait there ‘til I die. …I’d like to wait until I die. I would not let my family know; I would not pack a change of clothes. My boss, I’m sure, would go berserk— I would not call in sick to work— I would wait there ‘til I die. And when the day had turned to night (For when has day not turned to night?), Into the Darkness I would sing Of my desire to be Nothing, And wait there ‘til I die. …I’d like to wait until I die. Oh please don’t look for me Asleep by a tree, A string ‘round my wrist And my head in my knees, And don’t try to find The kite left behind By me Please. Towards my lawful destiny —It is his lawful destiny— I seek the solace of that tree —It is his right, You must agree— And ‘til the day that tree is found Around my wrist a string is bound— I’m waiting ‘til I die.
3.
In Amsterdam 04:38
Hey Bob, last night I had a dream. If Dan lived, he’d ask, “What was it?” …or maybe he’d say nothing… —regardless, here’s my dream: it was of my only father, cross-legged, meditating in a red-light district window, and um… well, in my dream I am in Amsterdam… my wife nor I know who I am… I turn to her, I tell her: “I won’t be home for Shabbos. It’s not that I don’t love you; it’s just that I hate Shabbos, with all its peace and quiet, and all its gentle prayer… I was not raised with quiet,” and then… she screams, “I know! Goddamn, this is Amsterdam!” I scream, “Don’t scream! I’m still a man!” “No, you are a coward,” she says, and I know I am. I’m worse than my father. At least he was good enough in the end. It’s been two years since she left me, and three since Dan last died. The truth is I miss Shabbos. I miss what I should’ve tried while I had an ex-wife’s father, while I had broken bread. Now who will be my father? Oh, Bob… in my heart I am still in Amsterdam. My dad is dead and so is Dan and I am a liar—it’s true— and I know I am! I’m worse than my father. At least he was good enough in the end. He was good enough in the end.
4.
Have you considered What you intend to do When your father stops breathing And his face has turned blue, When the nurse brings you tissues And a toe has been tagged And they wheel off the gurney With a man in a bag? Will you try to stay strong for your mother— Will you stay all night by her side, Or collapse into her bosom, Too embarrassed to even have tried To be there as a good son should be there— And if not, what will you do instead? What will you do When your father is dead? What will you do When your father is dead? What will you do, what will you do When your father is dead? When he lies in the casket In his Saturday bests And his lips have been crusted By a cold morbid rest, When the guests have found their places, And the rabbi has arrived, And he comes to rip the garments Of the ones who have survived, When he chants some bullshit in Hebrew And you haven’t any clue what he’s said, What will you do When your father is dead? What will you do When your father is dead? What will you do, what will you do When your father is dead? When the shivah has ended And the guests have gone home And you’ve tried to say Kaddish In your bedroom alone, Are you Jacob, asleep on a jagged rock, As the angels climb up to the Lord, Or Job, the afflicted, the tortured by God, With his boils and his blisters and soars, Or Noah, the drunk, who accosted his sons, And then crawled back into bed…? What will you do When your father is dead? What will you do When your father is dead? What will you do, what will you do, When your father is dead? What will you do When your father is dead? What will you do When your father is dead? What will you do, what will you do, When your father is dead?
5.
I wanted a turtle real bad I asked my old man He said A man must go wanting the value of a dollar is the truth Can you earn it Come to shul on Yom Kippur sit down stand up in scratchy clothes and read from a book filled with words you don’t know and remember Treblinka REMEMBER YOU’RE WORSE THAN HITLER, DIG IT? When the shofar blows (God knows) if He’s listening you can have a turtle Tekiah! Three turtles for twelve dollars down at Big Al’s Aquarium Services I named ‘em after the characters in an Archie Comics Magazine I put ‘em in a tank on top of my dresser I too am a turtle on top of my dresser I suffer & move I bask in the heat I swim to the top for a raw piece of meat and I sink when I’m sink the Feeder is God—oh I hunger and long and my turtle stopped breathing and the shofar is blowing I fear for you, Betty/I dream of you, Hitler I sent my old man to the showers I’m sorry Shefarim! It’s 3AM on a Thursday night I’m 15 on a Thursday night I’m on mushrooms on a Thursday night and the whole world is a turtle tank I go to my room I turn on the light look over at Archie it gives me a fright oh DAMN DADDY YUCK! Archie is dead HIS EYES ROLLED back in his head Cold Daddy DAMN! Death is a bust I remember Treblinka/I weep for you, Betty I bag up my turtle (HEIL HITLER!) I’m sorry I’m dragging the shovel (Heil Hitler!) I’m coming I dig for you, Archie/I dig for you, Tatte (Heil Hitler!) I’m sorry (Heil Hitler!) I’m sorry Entschuldig mir Tatte I’m sorry I’m sorry Teruah! In ’99 my Daddy ain’t fine In 2010 man it happens again The monitor’s beeping My mother is weeping I dream of you Archie your spoon and your bread I’m digging a hole Veronica’s dead A capo’s on guard at the foot of the bed Archie I see your striped pyjamas Betty I see your sunken eyes The snow is crunching under my clogs I’m digging a hole for Veronica Lodge I’m torching the earth to soften the soil Tekiah Gadola! I’m sorry I’m sorry I’m sorry I’m sorry I’m sorry I’m sorry I’m sorry I’m sorry I’m sorry I’m sorry
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THE ALGONQUIN BRIDGE Poem by Benjamin Hackman I was biking down the Algonquin Bridge real fast on my way to the ferry in a fancy white scarf and I turned quick to pass an old man with a dog and the wood on the bridge was real slippery from the morning dew and when I leaned in to turn my wheels slid out from under me and I slid the rest of the way down the bridge on my side and I had that feeling in my head like when this is over am I gonna get back up and how bad is this all gonna hurt but I got up right away thank God and my scarf was still fancy and white and I wasn't spooked or nothing at all like that in fact all I could think about was catching that goddamn ferry and the old man said real matter of fact You were biking too fast and I said I was trying to catch the ferry and he gave me a look as if to say you're a slave to bad faith and your decisions reflect that young man and when the hell you gonna wake up and realize there's more to life than crossing bridges fast and catching ferries and I thought this old prick can't judge me and I rode to the ferry and made it just on time and sat down next to Erin and we talked about work and later on my backside hurt real bad and felt bruised and I couldn't sit down without a cushion but the truth is I didn't mind cuz I kinda like how purple it all got hell it reminds me I'm alive and sitting down is a choice it's my choice goddamn it even if it hurts and you know what I hate to say it but that old man was probably right I mean I was going too fast and I'm always going too fast but sometimes you gotta go too fast in order to fall over on The Algonquin Bridge.
10.
11.
DEVIL OH DEVIL Lyrics by Benjamin Hackman Oh Devil, oh Devil, leave my sister alone! Take your fang out of her flesh and take your venom from her bone. Oh, I swear to slay you, Devil, if you do not leave her be. You already took my father. You will take no more from me. Oh, you watched her while she cut herself, you watched her writhe and moan, with her curtains drawn in darkness in her bedroom all alone. Oh, you came and you caressed her as she begged the Lord to send her to sleep. You knelt down and she accepted, but she was never yours to keep. Put that blood back in her veins and take that look out of her eye, and send away the ambulance that made my mama cry. To the place from which you took her you shall bring her back today. It is a place where no one loves her, but we are born to live that way.
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999-9255 03:46
14.
הבל הבלים (Havel Havalim) Lyrics by Benjamin Hackman To each man God gives His breath. To each worm God gives a man. No one halts a gust of wind. Every breath, it blows as planned. Mourn more, you’ll come to know: If it can rain it can surely snow. Ask for nothing, Hold on to nothing, And the Lord, He won’t take it away. All you’ve built will be undone. All you’ve earned will not be spent. What you have beneath the sun Is far less than you have dreamt. And those whom you hold dear In due time shall disappear. Ask for nothing, Hold on to nothing, And the Lord, He won’t take it away. You are a house of clay. From the dust do not discern. What you are you must obey. To the earth you shall return. You will not possess the wind. All you are God will rescind. Ask for nothing, Hold on to nothing. You came with nothing, You’ll leave here with nothing. You are nothing. You’ve always been nothing. And the Lord cannot take you away. Oh, dear Lord, do not take me away.
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Leviathan 05:15

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"...a towering example of originality and creative genius..."
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"Cinematic. Powerful. Unforgettable."
-WHOLE NOTE

"...a 65-minute masterpiece... poetic in its entire nature."
-ABSENT SOUNDS, CJAM FM

"...a true masterpiece... a unique musical experience unlike anything you've ever heard before."
-PLETHORA NETWORK

"A larger-than-life body of work ...it’s a wonder to see Hackman’s poetic brilliance take the stage once more."
-DOMINIONATED

"...thought-provoking and profound..."
-CHRISTIAN DANCE

"Singular and timeless... [...And the Lord Hath Taken Away] captivates from the first moment... taking us into a world of drama and depth, transporting us to a place full of emotion.... The Holy Gasp has created a work that will surely last and continue to move those who listen..."
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"...The Holy Gasp really defy any categorization."
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credits

released April 7, 2023

Words & Melodies by Benjamin Hackman
Composed by Benjamin Hackman and Anthony William Wallace (SOCAN, 2022)

The Maestro:
Robert W. Stevenson

The Lead:
Benjamin Hackman

The Characters:
Jeffrey Carl ~ G-d
David Wall ~ The Satan

The Choir:
Anaïs Kelsey-Verdecchia ~ Soprano
Tammy Whetham ~ Mezzo-Soprano
Zorana Sadiq ~ Alto
Nathan Smith ~ Tenor
David Wall~ Tenor
Jeffrey Carl ~ Baritone
Richard Hrytzak ~ Baritone

The Woodwinds:
Abigail Neale ~Piccolo, Flute, Clarinet
Naomi Higgins ~ Flute, Clarinet, Tenor Saxophone
Greg Bruce ~ Flute, Clarinet, Bass Clarinet, Alto Saxophone
Conrad Gluch ~ Clarinet, Bass Clarinet, Baritone Saxophone

The Brass:
Charlotte Alexander ~ French Horn
James Rhodes ~ 1st Trumpet
Gabi Charron-Merritt ~ 2nd Trumpet
Karl Silveira ~ Trombone
Ian Tulloch ~ Tuba, Bass Trombone

The Percussion:
Jared Goldman ~ Drum Kit
Daniel Morphy ~ Timpani & Mallets
Chris Hull ~ Bass Drum & Auxiliary Percussion
Ètienne Levesque ~ Mallets & Auxiliary Percussion
Timothy Francom ~ Mallets & Auxiliary Percussion
Nathan Petitpas ~ Mallets & Auxiliary Percussion
Kris Maddigan ~ Auxiliary Percussion
Benjamin Hackman ~ Auxiliary Percussion & Foley
Anthony William Wallace ~ High Cardio Hand Claps & Boot Stomps

The Piano:
Yunjin Claire Lee

Fretted Strings:
Will Hunter

The Violins:
Jaron Freeman-Fox ~ Principal
Elise Boeur
Yanet Campbell
Qiyue He
Katrina Johnson
Crystal Lee
Emily Misura
Molefe Mohamid-Mitchell
Cassie Norton
Zoë Santo
Emily Yarascavitch

The Cellos:
Benjamin David Louwersheimer ~Principal
George Crotty
Mansur Kadirov
Peter Ryan

The Basses:
Andrew Furlong ~ Upright Bass, Electric Bass, Corncob Pipe
Ben Heard ~ Double Bass

Produced by Anthony William Wallace and Benjamin Hackman
Mixed and Mastered by James Paul at rogue Music Lab
Edited by Anthony William Wallace and James Paul
Recorded in Toronto at Revolution Recording Studio (2022)

The Engineers:
Stephen Koszler ~ Lead Engineer
Luke Schindler ~ Senior Engineer
Anthony Wallace ~ Foley Engineer
Christine Stoesser ~ Assistant Engineer
Kohen Hammond ~ Assistant Engineer
Creighton Clarke ~ Assistant Engineer

This audio recording was made possible with the generous financial assistance of The Toronto Arts Council, The Ontario Arts Council, The Canada Council for the Arts, and FACTOR.

We gratefully acknowledge the in-kind support of our sponsors: Joe’s Fruit Market, Café Pamenar, Ozzy Burger, Abu Humus, Pantry Foods, The Historic Kiever Synagogue, and Revolution Recording

And for their poetic support, without which the completion of this album would not be possible, gratitude is owed to Rita Laszlo, Rabbi Eli Cohen, Dr. Robert Cardish, Lucas Rebick, and (if He’s reading this, and perhaps even if He's not) God.

In Loving Memory of:
Moishe Hackman
JJ Posluns
&
Dr. Dan Merkur

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